Las óleos de todo Andrea Mantegna


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ID Image  Painting (From A to Z)       Details 
81877  
Andrea Mantegna, 3rd third of 15th century
 
 3rd third of 15th century   Oil on canvas Dimensions Deutsch: 136 x 114 cm cyf
42264  
Andrea Mantegna, A Bacchanal with silengus
 
 A Bacchanal with silengus   mk168 298x435mm
42263  
Andrea Mantegna, A Bacchanal with Silenus
 
 A Bacchanal with Silenus   mk168 Engraving 292x448mm
2717  
Andrea Mantegna, Adoration of the Magi
 
 Adoration of the Magi   Galleria degli Uffizi, Florence
30423  
Andrea Mantegna, Adoration of the Magi
 
 Adoration of the Magi   mk68 Tempera on wood Florence,Uffizi.
94652  
Andrea Mantegna, Adoration of the Magi
 
 Adoration of the Magi   1462 Type Tempera on panel Dimensions 76 cm x 76.5 cm (30 in x 30.1 in) cyf
41271  
Andrea Mantegna, Adoration of the Shepherds
 
 Adoration of the Shepherds   mk161 Tempera on canvas transferred from wood
40216  
Andrea Mantegna, Agony in the Garden
 
 Agony in the Garden   mk156 c.1459 Oil on panel Musee des Beaux-Arts de Tours. Tours
21234  
Andrea Mantegna, Agony in the Garden (mk08)
 
 Agony in the Garden (mk08)   c.1460 Tempera on wood 63x80cm London,National Gallery
94651  
Andrea Mantegna, Bernardino of Siena between Two Angels
 
 Bernardino of Siena between Two Angels   1460 Type Tempera on canvas Dimensions 385 cm x 220 cm (152 in x 87 in) cyf
50866  
Andrea Mantegna, Caesar-s Chariot
 
 Caesar-s Chariot   mk216 Caesar-s Chariot rom the triumph of caesar Mantegna was the most important 15-century North Italian painter and the Triumph of Caesar may well be his masterpiece Even Today
20074  
Andrea Mantegna, Calvary (mk05)
 
 Calvary (mk05)   1457-60 Wood,30 x 38''(76 x 96 cm)Center of the predella painted for the Church of San Zeno in Verona;entered he Louvre in 1798
2728  
Andrea Mantegna, Camera degli Sposi
 
 Camera degli Sposi   1474 Palazzo Ducale, Mantua, Italy
2731  
Andrea Mantegna, Camera degli Sposi
 
 Camera degli Sposi   1474 Palazzo Ducale, Mantua, Italy
40222  
Andrea Mantegna, Camera Picta,Ducal Palace
 
 Camera Picta,Ducal Palace   mk156 1465-1474 Fresco Palazzo Ducale Mantova
88786  
Andrea Mantegna, Ceiling decoration
 
 Ceiling decoration   between 1465(1465) and 1474(1474) Medium Walnut oil on plaster and fresco cyf
30433  
Andrea Mantegna, Ceiling Oculus
 
 Ceiling Oculus   mk68 Fresco,diameter of central part Mantua Ducal Palace Camera Picta
53701  
Andrea Mantegna, Christ in Gethsemane
 
 Christ in Gethsemane   mk234 about 1460 63x81cm
2725  
Andrea Mantegna, Christ the Redeemer
 
 Christ the Redeemer   Congregazione di Carita, Correggio
83254  
Andrea Mantegna, Christ Welcoming the Virgin in Heaven
 
 Christ Welcoming the Virgin in Heaven   Date between 1460(1460) and 1464(1464) Medium Oil on wood cjr
78127  
Andrea Mantegna, Christus als Schmerzensmann
 
 Christus als Schmerzensmann   1489 Oil on panel 83 x 51 cm cjr
81464  
Andrea Mantegna, Christus als Schmerzensmann
 
 Christus als Schmerzensmann   1489 Medium Oil on panel Dimensions 83 x 51 cm cyf
30424  
Andrea Mantegna, Crucifixion,from  the San Zeno Altarpiece
 
 Crucifixion,from the San Zeno Altarpiece   mk68 Tempera on wood 26 1/2x36 1/2 Paris. Louvre
79068  
Andrea Mantegna, Dalia und Samson
 
 Dalia und Samson   1495 Oil on canvas 47 x 37 cm cjr
42510  
Andrea Mantegna, De died Christ
 
 De died Christ   m k169 after 1466. Tempered on cloth 67.9x81cm Pinacoteca Tue Brera, Milan
21235  
Andrea Mantegna, Dead Christ (mk08)
 
 Dead Christ (mk08)   Tempera on canvas 66x81cm Milan,Pinacoteca di Brera
40204  
Andrea Mantegna, Death of the Virgin
 
 Death of the Virgin   mk156 c.1461 Oil on panel 54x42cm
84678  
Andrea Mantegna, Death of the Virgin
 
 Death of the Virgin   Date between 1460(1460) and 1464(1464) Medium Oil on wood cjr
88578  
Andrea Mantegna, Death of the Virgin
 
 Death of the Virgin   between 1460(1460) and 1464(1464) Medium Oil on wood cyf
51716  
Andrea Mantegna, Detail of Ceiling from the Camera degli Sposi
 
 Detail of Ceiling from the Camera degli Sposi   nn09 c.1474
42902  
Andrea Mantegna, Detail of The Agony in the Garden
 
 Detail of The Agony in the Garden   mk170
59749  
Andrea Mantegna, Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua
 
 Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua   Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua
55985  
Andrea Mantegna, ecce homo
 
 ecce homo   mk247 c.1500,tempera on canvas,21.25x16.5 in,54x42 cm,musee jacquemart-andre,paris,france
30430  
Andrea Mantegna, Family and Court of Ludovico Gonzaga
 
 Family and Court of Ludovico Gonzaga   mk68 Fresco Mantua, Ducal Palace,Camera Picta 1465-1474 ltaly
30438  
Andrea Mantegna, Foreshortened Christ
 
 Foreshortened Christ   mk68 Tempera on canvas 26 3/4x32" Milan,Brera Gallery c.1480
73332  
Andrea Mantegna, Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga
 
 Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga   Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga, Detail: Francesco und Sigismondo Gonzaga, Söhne des Kardinal Francesco Gonzaga. cjr
97361  
Andrea Mantegna, Grotesque self portrait
 
 Grotesque self portrait   between 1465(1465) and 1474(1474) Medium Walnut oil on plaster cyf
87992  
Andrea Mantegna, Grotesque self-portrait
 
 Grotesque self-portrait   between 1465(1465) and 1474 cyf
78435  
Andrea Mantegna, Hl. Familie mit Hl
 
 Hl. Familie mit Hl   Oil on canvas Dimensions 75 x 61 cm cyf
76551  
Andrea Mantegna, Hl. Familie mit Hl. Elisabeth und Johannesknaben
 
 Hl. Familie mit Hl. Elisabeth und Johannesknaben   Oil on canvas 75 ?? 61 cm cjr
42265  
Andrea Mantegna, Innsbruck Seen From the North
 
 Innsbruck Seen From the North   mk168 127x187mm
87993  
Andrea Mantegna, Inscription with Putti
 
 Inscription with Putti   between 1465(1465) and 1474 cyf
87994  
Andrea Mantegna, Inscription with Putti
 
 Inscription with Putti   between 1465(1465) and 1474 cyf
42272  
Andrea Mantegna, Island Abode
 
 Island Abode   mk168 213x225mm London British Museum
53700  
Andrea Mantegna, Judit with Holofernes-head
 
 Judit with Holofernes-head   mk234 about 1495 30x18cm
2722  
Andrea Mantegna, Judith and Holofernes
 
 Judith and Holofernes   1495-1500 The National Gallery of Ireland, Dublin
2723  
Andrea Mantegna, Judith and Holofernes
 
 Judith and Holofernes   1495-1500 The National Gallery of Ireland, Dublin
91533  
Andrea Mantegna, Judith with the head of Holofernes
 
 Judith with the head of Holofernes   1495(1495) Medium oil on panel cyf
56629  
Andrea Mantegna, klagan over den dode kristus
 
 klagan over den dode kristus   mk248 mantegna bar ramat in ett begransat rum pa ett satt som rent arkitektoniskt definierar det som ett barbus ocb sin erfarenbet av klassiska modeller frmedelar ban genom kristusgestalten en imponerande strambet. hans masterliga forminskning gor ocksa att betraktaren uppmarksammar de genomborrade fotterna, oavsett ur vilken vinken vinkel verket betraktas. malade fran mantegnas modeller av vikt papper ocb fastklistrat tyg.
42266  
Andrea Mantegna, Landscape near Segonzano in the Cembra Valley
 
 Landscape near Segonzano in the Cembra Valley   mk168 Watercolor on paper 210x312mm
56628  
Andrea Mantegna, ludovico ii gonzag moter sin son
 
 ludovico ii gonzag moter sin son   mk248 freskernarna i camera degli sposi i bertigpalatset i mantua ar slaende exempel pa 1400-tllusionism.
2718  
Andrea Mantegna, Madonna and Child
 
 Madonna and Child   1506 Galleria degli Uffizi, Florence
29794  
Andrea Mantegna, Madonna and Child
 
 Madonna and Child   mk67 Tempera and panel 11 7/8x8 7/16in Uffizi,Gallery
40255  
Andrea Mantegna, Madonna and child
 
 Madonna and child   mk156 1485 Oil on panel 29x21.5cm
2733  
Andrea Mantegna, Madonna and Child with Cherubs
 
 Madonna and Child with Cherubs   Pinacoteca di Brera
78781  
Andrea Mantegna, Madonna mit Hl. Maria Magdalena und Hl. Johannes dem Taufer
 
 Madonna mit Hl. Maria Magdalena und Hl. Johannes dem Taufer   3rd third of 15th century Oil on canvas 136 x 114 cm cjr
2724  
Andrea Mantegna, Madonna of Victory
 
 Madonna of Victory   Musee du Louvre, Paris
53699  
Andrea Mantegna, Mansportratt
 
 Mansportratt   mk234 probably about 1460 24x19cm
85322  
Andrea Mantegna, Maria mit Kind und Engeln
 
 Maria mit Kind und Engeln   Date 1485 Medium Oil on panel Dimensions Deutsch: 88 x 71 cm cjr
89529  
Andrea Mantegna, Maria mit Kind und Engeln
 
 Maria mit Kind und Engeln   1485 Medium oil on panel Dimensions Deutsch: 88 x 71 cm cyf
20086  
Andrea Mantegna, Mars and Venus Known as Parnassus (mk05)
 
 Mars and Venus Known as Parnassus (mk05)   Painted like the following six pictures,for the studio of Isabella d'Este in the Ducal Palace at Mantua Canvas,62 1/2 x 751/2''(159 x 192 cm).Entered the Louvre in 18001
58331  
Andrea Mantegna, Medici portrait
 
 Medici portrait   mk261 Florence in 1466 egg tempera of wood 41.3 x 29.5 cm
20087  
Andrea Mantegna, Minerva Chases the Vices from the Garden f Virtue (mk05)
 
 Minerva Chases the Vices from the Garden f Virtue (mk05)   ca 1502 Canvas 63 x 75 1/2\'\'(160 x 192 cm)Entered the Louvre in 1801
44857  
Andrea Mantegna, Parnassus
 
 Parnassus   mk176 c.1490 Oil on canvas 63.5x75.37in
2729  
Andrea Mantegna, Portrait of a Man  aaa
 
 Portrait of a Man aaa   1460 National Gallery of Art, Washington DC
30429  
Andrea Mantegna, Portrait of Cardinal de'Medici
 
 Portrait of Cardinal de'Medici   mk68 Tempera on wood 16x11 1/2 Florence,Uffizi, c.1466 ltaly
21195  
Andrea Mantegna, Portrait of Cardinal Lodovico Trevisano (mk08)
 
 Portrait of Cardinal Lodovico Trevisano (mk08)   c.1459-1469 Tempera on wood 44x33cm Berlin,Gemaldegalerie,Staatliche Museenzu Berlin-Preubische Kulturbesitz
40220  
Andrea Mantegna, Portrait of Carlo de Medici
 
 Portrait of Carlo de Medici   mk156 1467 Oil on panel 40.6x29.5cm
29792  
Andrea Mantegna, Portrait of Carlo de'Medici
 
 Portrait of Carlo de'Medici   mk67 Tempera on panel 16x11 7/16in Uffizi,Gallery
2719  
Andrea Mantegna, Portrait of the Protonary Carlo de Medici
 
 Portrait of the Protonary Carlo de Medici   1459-66 Galleria degli Uffizi, Florence
2732  
Andrea Mantegna, Presentation at the Temple
 
 Presentation at the Temple   Gemaldegalerie, Berlin
51717  
Andrea Mantegna, Putti Holding Dedicatory Tablet
 
 Putti Holding Dedicatory Tablet   nn09 c.1474 Fresco
2720  
Andrea Mantegna, Samson and Delilah
 
 Samson and Delilah   National Gallery, London
68140  
Andrea Mantegna, San Girolamo nel Deserto
 
 San Girolamo nel Deserto   Year from 1448(1448) until 1451(1451) (from 1450(1450) until 1451(1451)?) Technique Tempera on panel Dimensions 48 X 36 cm
59747  
Andrea Mantegna, San Luca Altarpiece
 
 San Luca Altarpiece   San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, Milan
59748  
Andrea Mantegna, San Zeno Altarpiece,
 
 San Zeno Altarpiece,   San Zeno Altarpiece, (central panel), 1457-60; San Zeno, Verona
20079  
Andrea Mantegna, Sebastian
 
 Sebastian   ca 1480 canvas,100 1/2 x 55''(255 x 140 cm)Entered the Louvre in 1910
38490  
Andrea Mantegna, Servant with horse and dog
 
 Servant with horse and dog   mk137 1471-1474 fresco Camera Picta, Palazzo Ducale, Mantua
39582  
Andrea Mantegna, St Sebastian
 
 St Sebastian   mk150 c.1459
42633  
Andrea Mantegna, St. Sebastiaan
 
 St. Sebastiaan   MK169 ca. 1460 Panel 68x30cm Kunsthistorisches Museum, Weep
2721  
Andrea Mantegna, St.Sebastian
 
 St.Sebastian   1459-60 Art History Museum, Vienna
41192  
Andrea Mantegna, St.Sebastian
 
 St.Sebastian   mk157 1504-6 Canvas 210x91cm
84148  
Andrea Mantegna, Suite of Cardinal Francesco
 
 Suite of Cardinal Francesco   Date between 1465(1465) and 1474(1474) Medium Walnut oil on plaster cjr
87990  
Andrea Mantegna, Suite of Cardinal Francesco
 
 Suite of Cardinal Francesco   between 1465(1465) and 1474 cyf
87991  
Andrea Mantegna, Suite of Cardinal Francesco
 
 Suite of Cardinal Francesco   between 1465(1465) and 1474 cyf
38455  
Andrea Mantegna, The adoration of the Konige
 
 The adoration of the Konige   mk137 ca.1497-1500 Tempera and gold on linen 54.6x70cm
2730  
Andrea Mantegna, The Agony in the Garden
 
 The Agony in the Garden   1460 National Gallery, London
42901  
Andrea Mantegna, The Agony in the Garden
 
 The Agony in the Garden   mk170 Circa 1460 Tempera on wood 62.9x80cm
59746  
Andrea Mantegna, The Agony in the Garden
 
 The Agony in the Garden   The Agony in the Garden (right panel of the predella of the San Zeno Altarpiece, 1455) National Gallery, London is the pinnacle of Mantegna's early style.
23365  
Andrea Mantegna, The Agony in the Garden (nn03)
 
 The Agony in the Garden (nn03)   c 1460 Tempera on panel 63 x 0 cm 24 3/4 x 31 1/2 in National Gallery London
42269  
Andrea Mantegna, The Battle of the Sea God with the initial of the artist and the date
 
 The Battle of the Sea God with the initial of the artist and the date   mk168 1494 Pen and ink on paper 292x382mm
42267  
Andrea Mantegna, The Battle of the Sea Gods
 
 The Battle of the Sea Gods   mk168 Engraving in two parts 313x438mm
42271  
Andrea Mantegna, The Castle and Town of Arco
 
 The Castle and Town of Arco   mk168 Watercolor and body color on paper 223x222mm
85842  
Andrea Mantegna, The Court of Gonzaga
 
 The Court of Gonzaga   Date between 1465(1465) and 1474(1474) Medium Walnut oil on plaster Dimensions Height: 805 cm (316.9 in). Width: 807 cm (317.7 in). cjr
88001  
Andrea Mantegna, The Court of Gonzaga
 
 The Court of Gonzaga   Date between 1465(1465) and 1474 cyf
88002  
Andrea Mantegna, The Court of Gonzaga
 
 The Court of Gonzaga   Date between 1465(1465) and 1474 cyf
88003  
Andrea Mantegna, The Court of Gonzaga
 
 The Court of Gonzaga   Date between 1465(1465) and 1474 cyf
88004  
Andrea Mantegna, The Court of Gonzaga
 
 The Court of Gonzaga   Date between 1465(1465) and 1474 cyf
88005  
Andrea Mantegna, The Court of Gonzaga
 
 The Court of Gonzaga   Date between 1465(1465) and 1474 cyf
88006  
Andrea Mantegna, The Court of Gonzaga
 
 The Court of Gonzaga   Date between 1465(1465) and 1474(1474) cyf

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Andrea Mantegna
Italian 1431-1506 Andrea Mantegna Locations Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, amassing antique statues, reliefs, vases, etc., forming a collection of such works, then making drawings from them himself, and throwing open his stores for others to study. All the while, he continued undertaking works on commission for which his pupils no less than himself were made available. San Zeno Altarpiece, (left panel), 1457-60; San Zeno, VeronaAs many as 137 painters and pictorial students passed through Squarcine's school, which had been established towards 1440 and which became famous all over Italy. Padua was attractive for artists coming not only from Veneto but also from Tuscany, such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna's early career was shaped indeed by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil; Squarcione taught him the Latin language, and instructed him to study fragments of Roman sculpture. The master also preferred forced perspective, the lingering results of which may account for some Mantegna's later innovations. However, at the age of seventeen, Mantegna separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicol?? Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the apse of the church of Eremitani. It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of Sant'Agostino degli Eremitani, today considered his masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forl?? school of painting. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution. (For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul; though much less dramatic in its perspective that the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.) San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, MilanThe sketch of the St. Stephen fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints (at left) for the church of S. Giustina, now in the Brera Gallery in Milan (1453). As the young artist progressed in his work, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia to Mantegna in marriage.



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